ON THE STORK TOWER 登鸛雀樓
On the Stork Tower (登鸛雀樓) carries an openness that expands outward from within —ascending layer upon layer, until it reaches a vista that stretches far beyond the eye. This pattern design translates the verses into an upward-reaching spatial composition, where characters of varying sizes and ink tones progress in graduated steps, like a staircase rising before the viewer. It guides the eye from near to far, from substance to ethereality—like distant mountains dissolving into the horizon, gradually fading into a profound sense of depth.
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Master calligrapher Fung Man Yu inscribes this poem in Xingcao (Semi‑Cursive Script), his brushwork charged with vigour and velocity—strokes now condensed, now released, like wind sweeping across mountain peaks. The calligraphy extends the visual field and propels the imagination ever further, while the negative space becomes both distance and breath—allowing the composition to breathe within its grandeur, revealing a magnificence that is expansive yet never ostentatious.
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